THEATER REVIEWS

 

Cassie in A Chorus Line at Compas Rose Theater

Sam Midwood [Zach] gives his most powerful performances with Holly Wilder, who plays Cassie. Their conversations are gripping. Wilder giving a desperation to Cassie and there is a slight bitterness to her at the way her career has played out, but her need to dance shines through. In “The Music and the Mirror” she is incredibly heartfelt, and her solo dance at the end is captivating to watch, as she dominates the stage in various styles.
— Charles Green of DC Metro Theater Arts
 
Holly is a master storyteller who is capable of capturing the most beautiful and most challenging aspects of human nature by setting the body into motion.
— Alicia Graf Mack, Director of Dance at The Juilliard School
 
My favorite film of the festival, ‘Undertow’, is produced by siblings Holly and Duncan Wilder. It’s an expertly crafted example of how the simplest concepts can be the strongest… No other film in the festival integrated the dance and film mediums so strongly.
— Alex Strine for The Dance Journal

Featured singer in Home for the Holidays at Highlands Playhouse

Rockin’ Around the Christmas Tree was delivered with off-the-wall exuberance by Holly Wilder.
— The Laurel Magazine
 

FILM REVIEWS

Combining the abstract beauty of nature with the specific beauty of dance, The Weight is, above all, a cinematic wonder.
— Karen Young, Programmer of the Maine International Film Festival
 
The dance is visceral – so much so that I felt I could nearly smell the earth.
— Sarah Elgart for Cultural Weekly

Ensemble in An American in Paris at Beef and Boards Dinner Theater

The supporting cast is brilliant, especially including the corps of ballet dancers whose work is an impressive feature in the show. I daresay en-pointe ballet is an extra skill that most musical-comedy performers do not possess, but which is performed here with a wonderful proficiency.
— Ken Klingenmeier of A Seat on the Aisle
 
Wilder’s raw narrative movement vocabulary hits close to the heart.
— Amanda Sieradzki for Arts Atlanta
 
The film is immersed so deeply in the textures of sprawling fields and ponds that you can almost smell the wildflowers. And the dance effortlessly folds in and out of the story leaving you wondering if the reeds waltzing in the wind were part of the choreography.
— Curve Magazine